<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: An afternoon at Muizenberg</title>
	<atom:link href="http://www.sjqwatercolour.com/muizenberg-20100122/feed" rel="self" type="application/rss+xml" />
	<link>http://www.sjqwatercolour.com/muizenberg-20100122</link>
	<description>Stephen J Quirke watercolour blog and online gallery</description>
	<lastBuildDate>Wed, 28 Jul 2010 18:04:55 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0</generator>
	<item>
		<title>By: Stephen Quirke</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1961</link>
		<dc:creator>Stephen Quirke</dc:creator>
		<pubDate>Thu, 04 Mar 2010 18:07:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1961</guid>
		<description>Hi Sonya
I have seen the effects of optical mixing of which you speak - these beautiful luminous paintings of banana leaves and palm leaves.  But as I read I realised it really does take a long time.  I am trying to take an alla prima approach - working in each area only once and then its finished.  I don&#039;t get it right all the time and sometimes rework some places.  But I try to get the final colour saturation down in one go.  And I try to get the colours to mix on the paper though I am less adept at that and usually mix on my palette.  

We have had a few shark scares and incidents lately so I am quite cautious.  But the attraction to the waves is so powerful that we don&#039;t talk much about sharks.  

Cheers hey</description>
		<content:encoded><![CDATA[<p>Hi Sonya<br />
I have seen the effects of optical mixing of which you speak &#8211; these beautiful luminous paintings of banana leaves and palm leaves.  But as I read I realised it really does take a long time.  I am trying to take an alla prima approach &#8211; working in each area only once and then its finished.  I don&#8217;t get it right all the time and sometimes rework some places.  But I try to get the final colour saturation down in one go.  And I try to get the colours to mix on the paper though I am less adept at that and usually mix on my palette.  </p>
<p>We have had a few shark scares and incidents lately so I am quite cautious.  But the attraction to the waves is so powerful that we don&#8217;t talk much about sharks.  </p>
<p>Cheers hey</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: sonya chasey</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1887</link>
		<dc:creator>sonya chasey</dc:creator>
		<pubDate>Tue, 02 Mar 2010 13:58:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1887</guid>
		<description>I like the colours here.Looks like your weather has turned cooler. Interesting to hear about your colour mixing. Many years ago I used to use watercolours much more strongly &amp; then I got into optically mixing them which was very interesting but takes a long time to build up although it can give a very luminous &amp; delicate result.Is the fact you&#039;re using more saturated colours because you are physically mixing them? 

And make sure that that shark is well away before you get back in the water!</description>
		<content:encoded><![CDATA[<p>I like the colours here.Looks like your weather has turned cooler. Interesting to hear about your colour mixing. Many years ago I used to use watercolours much more strongly &amp; then I got into optically mixing them which was very interesting but takes a long time to build up although it can give a very luminous &amp; delicate result.Is the fact you&#8217;re using more saturated colours because you are physically mixing them? </p>
<p>And make sure that that shark is well away before you get back in the water!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Stephen Quirke</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1584</link>
		<dc:creator>Stephen Quirke</dc:creator>
		<pubDate>Wed, 17 Feb 2010 07:30:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1584</guid>
		<description>Hi K
thanks - the &lt;a href=&quot;http://sjqwatercolour.wordpress.com/2010/02/12/yet-another-windy-afternoon/&quot; rel=&quot;nofollow&quot;&gt;kite surfers&lt;/a&gt; come out in the strong onshore winds and the kites are so full of colour - it is a fun subject.  Cheers hey  S</description>
		<content:encoded><![CDATA[<p>Hi K<br />
thanks &#8211; the <a href="http://sjqwatercolour.wordpress.com/2010/02/12/yet-another-windy-afternoon/" rel="nofollow">kite surfers</a> come out in the strong onshore winds and the kites are so full of colour &#8211; it is a fun subject.  Cheers hey  S</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: artiseternal</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1575</link>
		<dc:creator>artiseternal</dc:creator>
		<pubDate>Sat, 13 Feb 2010 18:40:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1575</guid>
		<description>That&#039;s a to-die-for sky! Personally, I love the way the sky has &quot;bled&quot; it helps it to feel fresh and rigorous. 
You can just feel the wind and storm in this one. 
At first I thought those large shapes in the sky were sea birds playing in the wind, but then your comment explained them as kites. 
Nice work!
K</description>
		<content:encoded><![CDATA[<p>That&#8217;s a to-die-for sky! Personally, I love the way the sky has &#8220;bled&#8221; it helps it to feel fresh and rigorous.<br />
You can just feel the wind and storm in this one.<br />
At first I thought those large shapes in the sky were sea birds playing in the wind, but then your comment explained them as kites.<br />
Nice work!<br />
K</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Stephen Quirke</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1571</link>
		<dc:creator>Stephen Quirke</dc:creator>
		<pubDate>Fri, 12 Feb 2010 19:43:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1571</guid>
		<description>Hi Isabelle - yes I think I am using more saturated colours at the moment, though I am moderating in the pipe paintings - S</description>
		<content:encoded><![CDATA[<p>Hi Isabelle &#8211; yes I think I am using more saturated colours at the moment, though I am moderating in the pipe paintings &#8211; S</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Isabelle</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1569</link>
		<dc:creator>Isabelle</dc:creator>
		<pubDate>Thu, 11 Feb 2010 20:57:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1569</guid>
		<description>I agree, these colors are fantastic.  Is it my imagination, or are they more intense than in the past ??
Yes, the picture is a bit small.  How about making it a bit larger ??
I also love the little house with the pointed roof in the back: it gives the piece such a mysterious interest…</description>
		<content:encoded><![CDATA[<p>I agree, these colors are fantastic.  Is it my imagination, or are they more intense than in the past ??<br />
Yes, the picture is a bit small.  How about making it a bit larger ??<br />
I also love the little house with the pointed roof in the back: it gives the piece such a mysterious interest…</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Stephen Quirke</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1541</link>
		<dc:creator>Stephen Quirke</dc:creator>
		<pubDate>Thu, 28 Jan 2010 19:05:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1541</guid>
		<description>Hi K
Thanks - there were a lot of darks on the right - I have a windsor newton set with 12 colours so the greys and purples are all mixed - probably ultramarine blue with Alizarin crimson and some cadmium yellow and cobalt blue - I don&#039;t usually think much about what I am mixing.  (o: - Cheers hey</description>
		<content:encoded><![CDATA[<p>Hi K<br />
Thanks &#8211; there were a lot of darks on the right &#8211; I have a windsor newton set with 12 colours so the greys and purples are all mixed &#8211; probably ultramarine blue with Alizarin crimson and some cadmium yellow and cobalt blue &#8211; I don&#8217;t usually think much about what I am mixing.  (o: &#8211; Cheers hey</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: artiseternal</title>
		<link>http://www.sjqwatercolour.com/muizenberg-20100122/comment-page-1#comment-1536</link>
		<dc:creator>artiseternal</dc:creator>
		<pubDate>Wed, 27 Jan 2010 08:13:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.sjqwatercolour.com/?p=1285#comment-1536</guid>
		<description>Hi Stephen,
I enlarged this one to take a good look at the detail. Very,very nice! It&#039;s a departure from your usual colour schemes - a lot more purple of some sort. Do you mix it or do you use one of the violet colours?
K</description>
		<content:encoded><![CDATA[<p>Hi Stephen,<br />
I enlarged this one to take a good look at the detail. Very,very nice! It&#8217;s a departure from your usual colour schemes &#8211; a lot more purple of some sort. Do you mix it or do you use one of the violet colours?<br />
K</p>
]]></content:encoded>
	</item>
</channel>
</rss>
